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Radio waves travel in the speed of light.

But the speed of the music being played through these waves is not equal to the speed of light.

Someone answered a similar question saying it is the superposition of photons. But how does it (superposition of photons) carry information, and why does the music in the radio doesn’t play in the speed of light?

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  • $\begingroup$ What do you mean by "the music doesn't play in the speed of light" ? $\endgroup$ – Thomas Fritsch Sep 4 at 16:25
  • $\begingroup$ I meant that speed of the music being played isn’t the same as that of light , else it wouldn’t be MUSIC. But my main question was how do photons carry information $\endgroup$ – Jackson Williams Sep 4 at 16:34
  • $\begingroup$ What is "speed of the music"? May be something like beats/second, but not meter/second (as in speed of light). $\endgroup$ – Thomas Fritsch Sep 4 at 16:40
  • $\begingroup$ Yeah that’s what is confusing, how can I send Music through radio waves and how do the waves carry information, is there anything in the electron field that “ carries” information $\endgroup$ – Jackson Williams Sep 4 at 16:46
  • $\begingroup$ Well, you modulate the radiation (see Wikipedia on am and fm modulation). Or, your cell phone sends/receives digital modulation schemes. $\endgroup$ – Jon Custer Sep 4 at 16:49
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Here is a short description:

  • Music is acoustic vibrations of the air with low frequencies (a few hundred or thousand oscillations per second). A microphone converts these acoustic vibrations to an electric alternating current.
  • An electronic circuit modulates this low-frequency current onto a high-frequency current (typically many million oscillations per second). See amplitude modulation for more explanation.
  • A radio antenna converts this high-frequency current to an electromagnetic wave.
  • The electromagnetic wave spreads out with the speed of light.
  • Another radio antenna far away picks up this electromagnetic wave and converts it to an alternating electric currrent.
  • An electronic circuit demodulates this high-frequency current to recover the original low-frequency current.
  • A loudspeaker converts this low-frequency electric current back to acoustic vibrations of the air,
    and you have music again.
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Information is coded into electromagnetic radiation (EMR) via slight changes in two basic properties of EMR: intensity and frequency (or wavelength or photon energy).

This works best when the frequency content of the information is lower than the primary frequency of the EMR being modified (the carrier). But there are fancy ways to encode low frequency radiation (say around 35 Hz) with higher frequency information. I won't get into those details.

This encoding can be analog, such as AM and FM radio and "old" TV signals, or digital as in HD radio and TV.

Analog

Analog encoding via intensity changes is called amplitude modulation (AM). The carrier EMR with no information would have a constant intensity: in a wave perspective, the amplitude of the wave is constant. in a photon perspective the # of photons per second is constant. Information would cause increases and decreases in the EMR intensity with (usually) a linear correlation between the info amplitude and the EMR amplitude/photon rate. The frequency of the EMR does not change but additional (much lower) frequencies are added matching the frequencies of the information.

Analog frequency encoding or frequency modulation (FM), the carrier with no information has a constant frequency. Information causes the frequency to vary around the carrier frequency with the amount of variation depending on the intensity of the information, and the rate of the variation (slope of the frequency change) being proportional to the frequency content of the information. (I might have gotten the amount and slope factors backwards, but those are the two factors that are changed). The intensity of the EMR does not change.

Digital Digital encoding uses a variety of methods. Frequency shift keying (FSK) uses changes in frequency (two distinct frequencies) to show binary digits (bits), or changes in binary digits. Amplitude keying uses changes in amplitude to show bits on a fixed time scale (or changes in bits). Phase shifting can also be used for bits, but it is fairly noisy.

All of these happen at the rate at which the information is changing, but the carrier EMR carries it from point A to point B at speed c. Imagine a turtle being carried on an airplane. Even while traveling on the plane, it doesn't crawl any faster relative to the plane, but would get to a destination much quicker. Once it reaches the destination, it's still crawling slowly. Or imagine a thundercloud over a friend's house 1.6 km away, while you are talking on the phone to that friend. There is a lightning flash and a clap of thunder. Over the phone you almost immediately hear the thunder. About 5 seconds later you hear the thunder in the air. The information over the phone traveled at nearly c from phone to phone, but then became sound. The actual sound traveled at 340 m/s through the air.

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There is no problem if the speed of incoming information is less than the speed of the transmission channel.

(If someone speaks slowly, and you are able to speak quickly, no problem for repeating his sentences to other person.)

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