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I am interested in objects which resonate or ring for as long as possible. In particular, I am interested in Crotales (https://en.wikipedia.org/wiki/Crotales), and if it is possible to make a longer ringing version DIY. I would really like to hear suggestions/comments about the physics involved here!

I guess the three important parameters here are 1) material 2) shape 3) manufacture process.

  1. Material. Many percussion instruments are made of bronze or brass. Are these the best materials? Or is there another metal which will do as well.

  2. It seems that the two most used shapes are either flat plates/circle (e.g. thundersheets or crotales) or bell shapes. I am told that the increasing diameter of bells creates standing waves of decreasing frequency around the perimeter of the bell. However, I am mostly interested in a flat objects.

  3. I made a DIY cymbal out of a circular very thin steel sheet. However, it hardly resonated at all. Do rims (either outside or in the center) create more resonance? Would stretching the metal in some way help it to resonate?

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closed as off-topic by StephenG, Kyle Kanos, Carl Witthoft, Cort Ammon, John Rennie May 3 at 5:38

This question appears to be off-topic. The users who voted to close gave this specific reason:

  • "This question appears to be about engineering, which is the application of scientific knowledge to construct a solution to solve a specific problem. As such, it is off topic for this site, which deals with the science, whether theoretical or experimental, of how the natural world works. For more information, see this meta post." – Carl Witthoft, Cort Ammon, John Rennie
If this question can be reworded to fit the rules in the help center, please edit the question.

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    $\begingroup$ Might be a better fit for the Music Theory and PracticeSE where they have a lot of people very, very conversant in the way resonance works in musical instruments of all kinds. I would recommend reading about piano design to learn about resonance in music - the modern piano is a study in the physics of resonance and the transmission of sound. $\endgroup$ – StephenG May 2 at 11:20
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    $\begingroup$ I voted to close your question as too broad. I would suggest converting it to a resource-recommendation question for e.g. physics of music with special interest in percussion. $\endgroup$ – StephenG May 2 at 11:22
  • $\begingroup$ I tried to give a short answer from physical perspective; probably musicians have much more to say. $\endgroup$ – patta May 2 at 12:33
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    $\begingroup$ And here I was going to suggest that the longest reverberating object is the CMB $\endgroup$ – Carl Witthoft May 2 at 15:33
  • $\begingroup$ In seriousness - maybe spend some time reading about soliton waves and see if you could create a solid, or even liquid, system which maintains itself that way. $\endgroup$ – Carl Witthoft May 2 at 15:35
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The "unique" feature of the design of crotales is the relatively big solid central cylinder, which faces down when playing them, and therefore isn't easily visible.

That is much more rigid than the mounting of a typical drumkit cymbal, so all the internal energy in the crotale gets converted (slowly) into sound, rather than wasting energy shaking its support.

Compared with "normal" cymbals made from coiled wire, the plate of the crotale is rigid and relatively thick. The material is usually bronze.

If you don't know a percussionist (or musical instrument shop) who would let you measure one, you can get a fair idea of the actual shape of crotales and how they are supported when playing from this video: https://www.youtube.com/watch?v=e3_MlMJ1bP0.

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  • $\begingroup$ Great, I've now looked at them; crotales are so thick! I will say that are specifically designed for maximum sustain/ resonation time. Seems difficult to get better $\endgroup$ – patta May 2 at 14:39
  • $\begingroup$ The central cylinder may be there to suppress vibration modes for which the centre of the disk not being a node? So there is less dissipation along the mounting? $\endgroup$ – patta May 2 at 14:57
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0) Try to get the book "The physic of musical instruments" by Fletcher and Rossing

  1. Material, you want one with low internal damping, that mean, low internal wasting of energy. The damping coefficient varies a lot between metals alloys and treatments. Bronze is among the best; soft steel is quite bad. Have a look at the tables in this paper, you want small $\eta$. If you can afford, go for pure platinum!
  2. Two things about the shape: first, the thicker and heavier, the more energy can store, so the longer resonation. Also, thin flat produce a lot of sound, so decay faster. Large (10+ tons) bells can sound for minutes. You can keep the same tone in a larger crotal by making it proportionally much thicker. Second, shape: that is difficult, as current instruments have been empirically refined to have optimal shape; it depends on how they vibrate, and they do that in really strange ways. Best sustain, from my experience, diapason, triangle, western bronze bells. You won't get much from a flat disk. (Edit: after @alephzero answer, I looked at crotales, they last long! so maybe disk is good)
  3. The thinnest, the shorter it resonate; and soft steel is a bad material. This may explain your result. Rims, who knows, they surely affect vibration but must be "perfectly sized" with trial and errors to get good results. Hammering/stretching may work a little. Best for steel, is to quench it hard; but bronze will be better.

So, I would try with a thick disk of bronze or aluminium. Or if you can find a thick slice of semiconductor-grade silicon. Another importaint factor, how the crotal is suspended: wrong mounting can mute the best bell.

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    $\begingroup$ I suspect you want a design with very high "Q" . That is, it's undamped but the amount of energy it projects is also small, so that it can continue to oscillate for as long as possible before running out of energy. TINSTAAFL . $\endgroup$ – Carl Witthoft May 2 at 15:36

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