3
$\begingroup$

I'm working on a physics problem that asks how a passive megaphone (simple cone shape) can optimise the transfer of the human voice, compared to not using one at all. I understand that some of this is due to the megaphone simply directing the sound waves in one direction, but I've also come across explanations involving acoustic impedance matching. I understand the basic premise as: if a sound wave meets an interface between two media with vastly different acoustic impedances, then most of the sound will be reflected, instead of transmitted.

I've come across the formula $Z = p/U$ for acoustic impedance, where $p$ is the sound pressure in pascals and $U$ the volume flow rate. Here's where some of my confusion lies. If I use this to calculate the acoustic impedance of the megaphone, then won't louder sounds simply increase the acoustic impedance? And how does impedance matching work between the end of the megaphone and the open air? And can anyone give me an accurate calculation of the acoustic impedance of the human vocal tract?

$\endgroup$
2
  • 1
    $\begingroup$ Horn Theory. $\endgroup$
    – Farcher
    Commented Feb 25, 2019 at 10:57
  • $\begingroup$ you'll find the answers to your questions in a first-year college text on the physics of sound. I once owned an example and if I can remember the title I'll add it here for you. $\endgroup$ Commented Feb 25, 2019 at 21:10

1 Answer 1

1
$\begingroup$

See my comment above. I'll try to add some useful points here.

@farcher is right, there is a well-developed model of impedance transformation called horn theory which contains everything you need to get a handle on this.

A megaphone can be modeled as an impedance transformer that has one characteristic impedance at its entry port and another at its exit. Ideally, the entry point is a match to the impedance of the vocal tract and the exit point is a match to the impedance of free air.

To get you started on the impedance analysis, consider that from a volume displacement standpoint, the megaphone exhibits continuity- that is, any volume displacement at one end has to be matched by a corresponding displacement at the other end, and that those displacements are linked by the geometry of the megaphone.

$\endgroup$
3
  • $\begingroup$ Thanks for your answer, I've looked into horn theory and it was exactly what I was looking for! Just a small side note, would a wider cone be more effective than a slimmer one? And longer vs. shorter? $\endgroup$
    – user223781
    Commented Feb 26, 2019 at 4:20
  • $\begingroup$ Also, I was wondering what effect, if any, the material of the megaphone would have on sound output? $\endgroup$
    – user223781
    Commented Feb 26, 2019 at 4:52
  • $\begingroup$ You determine that by attaching a contact microphone to the side of the megaphone, connecting its output to an oscilloscope, tapping the megaphone with your finger, and seeing if the megaphone has any resonances in the audible range. with care you can do this by ear too. if it resonates audibly, the analysis gets more complex and can't easily be performed by hand. $\endgroup$ Commented Feb 26, 2019 at 8:09

Your Answer

By clicking “Post Your Answer”, you agree to our terms of service and acknowledge you have read our privacy policy.