16
$\begingroup$

Audio of a shepard tone on youtube.

So what is a Shepard tone?

A Shepard tone, named after Roger Shepard, is a sound consisting of a superposition of sine waves separated by octaves. When played with the base pitch of the tone moving upward or downward, it is referred to as the Shepard scale. This creates the auditory illusion of a tone that continually ascends or descends in pitch, yet which ultimately seems to get no higher or lower. (wikipedia).

A computer simulated Shepard tone goes on and on and on....... It never ends, literally. We feel (our brain perceives) that the amplitude or the frequency or whatever is increasing gradually but after some time we feel that that tone is repeating again, starting from same point. So, the frequency of the tone changes periodically like a sine wave.

But why we, the human voice cannot produce that tone? How hard we try, we cannot produce. This may be due to exhaustion or the capacity of lungs. Our voice seems to get saturated after a certain limit further which we cannot produce the sound. Why? If the frequency of the tone changes periodically like a sine wave, we should be able to continue producing the tone from where we started it. But no, this does not happen. Why?

PS- my terminology may be wrong. So, feel free to edit it.

$\endgroup$
  • 3
    $\begingroup$ Just a thought -- the shepard tone is a mix of multiple tones. Humans tend to only produce one tone at a time, but maybe with a group of people each doing a tone it would be possible (acapella-like) $\endgroup$ – Soren Jan 12 '16 at 18:03
  • $\begingroup$ Cool! I learn something new every day! NB: I found this video and played around sticking my fingers in and out of my ears in time with the bouncing ball trying to break the illusion. $\endgroup$ – John Duffield Jan 12 '16 at 22:26
  • $\begingroup$ That descending Shepard tone sounds mighty like the twilight soundtrack in Twilight Princess - and it goes a long way explaining its unearthly creepiness. $\endgroup$ – Emilio Pisanty Jan 12 '16 at 23:19
  • $\begingroup$ A human voice will have a fundamental and many harmonics. The recognition of vowels and consonants depends on which of those harmonics are stronger. $\endgroup$ – WGroleau Jan 13 '16 at 4:37
  • 1
    $\begingroup$ You can do it, kind of. You just need some friends (or post-processing) to help you. youtube.com/watch?v=PwFUwXxfZss Sounds creepy... $\endgroup$ – JohnEye Jan 13 '16 at 12:04
21
$\begingroup$

The human voice box produces a fundamental frequency and its harmonics because the mechanism is like that of a relaxation oscillator. However, we have limited control over the relative amplitude of the harmonics (we do have some - that is how we change the "color" of a tone we sing, and the sound of vowels).

In order to produce the Shepard scale, you need to be able to control the relative amplitude of the different harmonics - especially the ratio of the lowest two harmonics. To a limited extent we do this when we change the vowel that we sing - with the "oo" sound having few "really high" harmonics, while the "ah" has lots. For example, from the hyperphysics site we get this image:

enter image description here

showing that there is a lot or harmonic content in the voice. But it's not "evenly distributed" - so if you were to drop by an octave, you are creating a sound that is sufficiently different that you don't really get the feeling that you have an "eternal" scale.

I suspect the most important problem is that you would want to re-introduce the lowest harmonic with a slowly increasing amplitude, so that the note "returns to the lower range" without ever appearing to jump there. But the mechanism of the vocal chords is too simple to allow it.

Incidentally, when sopranos sing very high notes, many people lose the ability to distinguish what vowel they are singing since the harmonics are further apart, and the ear distinguishes between vowels by estimating the shape of the frequency envelope in the range up to a few kHz; when there are very few harmonics in that range, the shape cannot be determined. The "high C" (C7) has a frequency of 2093 Hz, so there might be just a couple of harmonics available to figure out the sound. That makes vowels in the highest register hard to distinguish.

$\endgroup$
  • $\begingroup$ @Micah - thanks for pointing out my error. I believe I have fixed it now. $\endgroup$ – Floris Jan 13 '16 at 5:23
  • $\begingroup$ " the ear distinguishes between vowels by estimating the shape of the frequency envelope in the range up to a few kHz" <-- reference? $\endgroup$ – DanielSank Jan 13 '16 at 7:54
  • $\begingroup$ @DanielSank: The human ear may be able to hear sounds up to 20 kHz, but at those frequencies the accuracy drops of quite rapidly. You can't hear the exact pitch or volume, it's almost binary (sound present/absent). $\endgroup$ – MSalters Jan 13 '16 at 8:46
  • $\begingroup$ @MSalters I don't think you're wrong, I'm just asking for a reference. $\endgroup$ – DanielSank Jan 13 '16 at 9:02
  • 1
    $\begingroup$ @DanielSank: See here. The short version: vowel perception is primarily based on the frequencies of the first two formants (peaks in the spectral envelope). The lowest formant will vary from about 200 Hz to about 800 Hz depending on the vowel, while the second-lowest varies from about 800 Hz to about 2000 Hz. $\endgroup$ – Micah Jan 13 '16 at 16:50
13
$\begingroup$

i've programmed some shepard tones and even a voice generator.

The human voice can't make that sound for the same reason that a single or even 3 trumbones couldn't make it. if you had 12 trumbones you could conceivably put them on a wheel system so that the pitch of each is increased and when the top one reaches to top is muted and send down to the lowest pitch. Perhaps someone has built a mechanical shepherd tone but i doubt it, and to emulate the sound with voice would require multiple singers. It is generally a digital effect not an acoustic instrument one.

The human voice is a monophonic sound generator (except for tibetan tantric voice) with one major output channel, the mouth, and some lower volume output channels, i.e. the cheeks throat and nose, all coming from a single voice box.

It is the polyphonic nature of the shepard tone which confuses the ear by giving it too many harmonics to clearly define in tone at a given time, it is similar to a chord of 12 or 20 notes, a very wide array of tones.

A shepard tone requires either multiple oscillators changing pitch or multiple static oscs going through multiple filters. The one i found on youtube is especially good because it uses about 50 sines with soft attacks so it's difficult to tell one sound from the next.

The human vocal box cannot do something similar because it would need to generate at least a dozen controlled harmonics simultaneously for a basic shepard tone illusion, tones which are equally spaced and cyclic in nature, i.e. the lowest tone's amplitude increases as the highest tone decreases.

Humans can barely make a low tone and a high tone simultaneously and independently so that the tone of one can be controlled precisely relative to the next, and the volume can be controlled precisely one relative to the next. The voice box certainly can't produce multiple harmonics of equal volume and constant pitch spacing and control their volume.

Also the human voice struggles to produce a single clear carefully pitched tone, and multiple carefully controlled signals prior or after filtering are necessary.

The voicebox would have to have multiple independent resonators.

$\endgroup$
  • $\begingroup$ Check out this lady singing polyphonic overtones: youtube.com/watch?v=vC9Qh709gas $\endgroup$ – RedSonja Jan 13 '16 at 9:27
  • $\begingroup$ How about a choir of 12 human voices? $\endgroup$ – Peteris Jan 13 '16 at 12:13
  • $\begingroup$ RedSonja that's cool. it's similar to a tibetan trantric song. I haven't managed to find some info on the anatomy of that vocal technique if it's from the nose or the throat. it's polyphinic with 2 voices. You can do the same easily by whistling and singing at the same time. 12 human voices could definitely generate a cool shepard tone effect. most interesting voice boxes are that of birds which are as fascinating and versatile as the feathers. $\endgroup$ – com.prehensible Jan 14 '16 at 22:11

Your Answer

By clicking “Post Your Answer”, you agree to our terms of service, privacy policy and cookie policy

Not the answer you're looking for? Browse other questions tagged or ask your own question.