As a kid I was bemused at why soundboards worked. A small sound could be demonstrably amplified simply by attaching the source to a surface that is rigid and not too thick. How could the volume increase so much given that there was no extra energy added?

As an adult I kind-of-think I know, but there are still many nagging questions. I assume it has to do with the waves propogating from a vibrating object actually being a compression on one side of the object just as they are a decompression on the other side, and something about that lack of coherence limits the volume. Exactly why remains a mystery to me. Is separating the pocket of compression and decompression so that the boundary along which they meet part of the issue.

My question is what are the physics that make a soundboard work?

Interesting specifics that would be nice-to-knows would be why does a hollow one (like a violin) work better than a solid one (imagine a filled in violin)? How important are the harmonics of the solid? But the real question is what are the physics that make a soundboard work?

P.S. I am a mathematician, so feel free to wax very mathematical if it is necessary to give a good explanation.

As a kid I was bemused at why soundboards worked. A small sound could be demonstrably amplified simply by attaching the source to a surface that is rigid and not too thick. How could the volume increase so much given that there was no extra energy added?

As an adult I kind-of-think I know, but there are still many nagging questions. I assume it has to do with the waves propogating from a vibrating object actually being a compression on one side of the object just as they are a decompression on the other side, and something about that lack of coherence limits the volume. Exactly why remains a mystery to me. Is separating the pocket of compression and decompression so that the boundary along which they meet is quite small part of the issue?

My question is what are the physics that make a soundboard work?

Interesting specifics that would be nice-to-knows would be why does a hollow one (like a violin) work better than a solid one (imagine a filled in violin)? How important are the harmonics of the solid? But the real question is what are the physics that make a soundboard work?

P.S. I am a mathematician, so feel free to wax very mathematical if it is necessary to give a good explanation.

As a kid I was bemused at why soundboards worked. A small sound could be demonstrably amplified simply by attaching the source to a surface that is rigid and not too thick. How could the volume increase so much given that there was no extra energy added?

As an adult I kind-of-think I know, but there are still many nagging questions. I assume it has to do with the waves propogating from a vibrating object actually being a compression on one side of the object just as they are a decompression on the other side, and something about that lack of coherence limits the volume. Exactly why remains a mystery to me. Is separating the pocket of compression and decompression so that the boundary along which they meet part of the issue.

So what are the physics that make a soundboard work? Why does a hollow one (like a violin) work better than a solid one? How important are the harmonics of the solid?

P.S. I am a mathematician, so feel free to wax very mathematical. Though this is easy enough to recreate that I expect it is easy to given a good physical description.

As a kid I was bemused at why soundboards worked. A small sound could be demonstrably amplified simply by attaching the source to a surface that is rigid and not too thick. How could the volume increase so much given that there was no extra energy added?

As an adult I kind-of-think I know, but there are still many nagging questions. I assume it has to do with the waves propogating from a vibrating object actually being a compression on one side of the object just as they are a decompression on the other side, and something about that lack of coherence limits the volume. Exactly why remains a mystery to me. Is separating the pocket of compression and decompression so that the boundary along which they meet part of the issue.

My question is what are the physics that make a soundboard work?

Interesting specifics that would be nice-to-knows would be why does a hollow one (like a violin) work better than a solid one (imagine a filled in violin)? How important are the harmonics of the solid? But the real question is what are the physics that make a soundboard work?

P.S. I am a mathematician, so feel free to wax very mathematical if it is necessary to give a good explanation.